Street Photography Online Course





𝐒𝐓𝐑𝐄𝐄𝐓 ππ‡πŽπ“πŽπ†π‘π€ππ‡π˜ πŽππ‹πˆππ„ π‚πŽπ”π‘π’π„ βœ”οΈŽ Flexible Schedule βœ”οΈŽAll Levels βœ”οΈŽ Course Promo βœ”οΈŽ Single Lesson from 320HK$ βœ”οΈŽ Best Price GUaranteed βœ”οΈŽ 100% Exclusive βœ”οΈŽ 13 Lessons


00. Introduction to Street Photography

Β¨Streets are the scenario of life and we, the passers-by, are in a certain way the actors on that scenario. Street photography is to capture everything we walk, investigate, observe, listen to, smell...it’s to photograph a moment and make it beautiful, photograph life, give your opinion with an image, which must never be preparedΒ¨. -MIGUELITOR


𝐈𝐍 π“π‡πˆπ’ π‹π„π’π’πŽπ

βœ”οΈŽ Street vs Studio βœ”οΈŽ The street is the scenario of life βœ”οΈŽ What Street Photography is βœ”οΈŽ Best places to take photos βœ”οΈŽ Best camera for Street Photography βœ”οΈŽ Manual or automatic βœ”οΈŽ Hunting and Fishing βœ”οΈŽ What to photograph βœ”οΈŽ How to get a good image βœ”οΈŽ Tips


01. How to start Shooting

Β¨For a photo to grab someone’s attention it must have certain elements that you will learn throughout this course, I like that there is a bit of humor, emotions, contrast between subjects that appear in the shot, lines, geometric figures, symmetry, in my photosΒ¨. -MIGUELITOR 𝐈𝐍 π“π‡πˆπ’ π‹π„π’π’πŽπ βœ”οΈŽ Why is easier taking a photo nowadays? βœ”οΈŽ Shooting people behind their backs βœ”οΈŽ Be creative, selective and a bit provocative with your images βœ”οΈŽ The signs βœ”οΈŽ Get out of the pattern βœ”οΈŽ Similarities βœ”οΈŽ Juxtapositions βœ”οΈŽ Sequences βœ”οΈŽ What Kind of photos you SHOULD NOT take βœ”οΈŽTips


02. Slow Shutter Speed in Street Photography

Β¨We will use slow shutter speeds in our photographs to give prominence to what doesn’t move. Β¨. -MIGUELITOR 𝐈𝐍 π“π‡πˆπ’ π‹π„π’π’πŽπ βœ”οΈŽ What Shutter Speed Is βœ”οΈŽ What Shutter Speed Should we use to give a sense of movement? βœ”οΈŽ Give prominence to those who Dont Move βœ”οΈŽ Is the Tripod Necessary? βœ”οΈŽ How Long Does It Take to change the Setting of your Camera? βœ”οΈŽ How to Stabilise the Camera βœ”οΈŽ Hunting and Fishing βœ”οΈŽ What to photograph βœ”οΈŽ Challenge βœ”οΈŽTips

03. Dividing the Frame in Street Photography

βœ”οΈŽ The Image what made me Photographer βœ”οΈŽ What do we Get By Dividing The Frame? βœ”οΈŽ The Corners βœ”οΈŽ The Geometry βœ”οΈŽ Division By Lines On The Ground βœ”οΈŽ Division By A Column βœ”οΈŽ Kinds Of Division βœ”οΈŽ If you know what You Are Looking For It Will Be Easier To Find It βœ”οΈŽ Kind Of Elements In A Photo βœ”οΈŽTips


04. Juxtaposition in Street Photography

Β¨Express yourself, catch the attention of those who see your picture showing what caught your attention. -MIGUELITOR 𝐈𝐍 π“π‡πˆπ’ π‹π„π’π’πŽπ βœ”οΈŽ Express Yourself βœ”οΈŽ Dont make Beautiful But Interesting Photos βœ”οΈŽ What Is Juxtaposition? βœ”οΈŽ Juxtaposition By Contrast βœ”οΈŽ How to Find Juxtaposition By Contrast? βœ”οΈŽ Juxtaposition By Combination βœ”οΈŽ How to Find Juxtaposition By Combination? βœ”οΈŽ To Go back βœ”οΈŽ To see From Afar βœ”οΈŽTips

05. Geometry in Street Photography

Β¨Composing with geometry is composing in an advanced way. Thinking and finding geometric figures will increase your creativity in street photography. It’s infallible so that your images are more powerfulΒ¨. -MIGUELITOR 𝐈𝐍 π“π‡πˆπ’ π‹π„π’π’πŽπ βœ”οΈŽ The world Of Geometric Figures In Street Photography βœ”οΈŽ The Presence Of Geometry In Our Photos βœ”οΈŽ Increase Your Creativity βœ”οΈŽ Dividing At The Third Of The Frame βœ”οΈŽ Dividing The Frame βœ”οΈŽ Draw Your Compositions βœ”οΈŽ What Do we Get Dividing The Frame? βœ”οΈŽ How To get Geometry In Our Images βœ”οΈŽ How to get a good image βœ”οΈŽTips


06. Symmetry, Balance and Inbalance in Street Photography

Β¨Finding symmetry in street photography is not as easy as finding it in other types of photography, such as in architectural photography, where the patterns that follow some constructions, facades or windows make it easy for us to apply symmetry in our compositionsΒ¨. -MIGUELITOR 𝐈𝐍 π“π‡πˆπ’ π‹π„π’π’πŽπ βœ”οΈŽ Symmetry βœ”οΈŽ Balance βœ”οΈŽ Inbalance βœ”οΈŽ Finding Two Subjets-Objects βœ”οΈŽ The Angle βœ”οΈŽ People In Perpendicular βœ”οΈŽ Differet Planes βœ”οΈŽ Placing the subject - Object in the corner βœ”οΈŽ How to get a good image βœ”οΈŽTips


07. Shades and Shadows

Β¨The invisibility starts from the moment we leave home, discretion begins in the bag or backpack where we keep the camera, in the little eye contact with the subjects, in the smile. -MIGUELITOR 𝐈𝐍 π“π‡πˆπ’ π‹π„π’π’πŽπ βœ”οΈŽ Shades & Shadows In Street Photography βœ”οΈŽ Dividing The Frame with The Shades βœ”οΈŽ Shadows And Self-Portraits βœ”οΈŽ Shadows From Above βœ”οΈŽ Geometric Shapes with Shades βœ”οΈŽ Closing The Plane with a wall and Shade βœ”οΈŽ Shoot at an Angle βœ”οΈŽ Different Points of View βœ”οΈŽ Challenge βœ”οΈŽTips

08. Square format in Street Photography​

Β¨Streets are the scenario of life and we, the passers-by, are in a certain way the actors on that scenario. Street photography is to capture everything we walk, investigate, observe, listen to, smell...it’s to photograph a moment and make it beautiful, photograph life, give your opinion with an image, which must never be preparedΒ¨. -MIGUELITOR 𝐈𝐍 π“π‡πˆπ’ π‹π„π’π’πŽπ βœ”οΈŽ Square format In Street Photography βœ”οΈŽ Be more Creative and get out of the routine βœ”οΈŽ The Importance of centering an angle βœ”οΈŽ Camera on the Ground βœ”οΈŽ Dividing the frame into two Rectangles βœ”οΈŽ Dividing The Frame into Squares and Rectangles βœ”οΈŽ Five squares βœ”οΈŽ Self-POrtrait in Square βœ”οΈŽ How to get a good image βœ”οΈŽTips

09. Tracking in Street Photography

Β¨Invisibility will make the person you are going to take the picture feel safe, free, and that’ll help us a lot to capture a certain action, expression or sceneΒ¨. -MIGUELITOR 𝐈𝐍 π“π‡πˆπ’ π‹π„π’π’πŽπ βœ”οΈŽ Tracking In Street Photography βœ”οΈŽ Hunting βœ”οΈŽ Someone who Carries or Behave is an Unusual way βœ”οΈŽ How to Be invisible βœ”οΈŽ Setting in your camera βœ”οΈŽ Manual or automatic βœ”οΈŽ Combine your images βœ”οΈŽ How to find a good Scene in The beach βœ”οΈŽ How to get a good Scene in the Street βœ”οΈŽTips

10. Creativity in Street Photography

Β¨When you see something different from the usual, take a look around, there’s always something that’ll give you an idea for your pictureΒ¨. -MIGUELITOR 𝐈𝐍 π“π‡πˆπ’ π‹π„π’π’πŽπ βœ”οΈŽ Creativity In Street Photography βœ”οΈŽ Reflexes βœ”οΈŽ Posters βœ”οΈŽ Turning your Picture βœ”οΈŽ Rules are made for Being Broken βœ”οΈŽ Shadows βœ”οΈŽ Detecting The places that give you play βœ”οΈŽ Using your hands βœ”οΈŽ Challenge βœ”οΈŽTips


11. Self-Portrait in Street Photography

Β¨People like self-portraits in the streets, it makes you participate in the scene blatantly as VelΓ‘zquez and El Greco already did in their works "Las Meninas" and "The Burial of Count Orgaz" respectively, or how Alfred Hitchcock did in his films, without saying β€˜this mouth is mine’ but realizing everything. You can also participate in the scene, be number one witness of what happens in your photography, self-portray yourself, like Velazquez in Las MeninasΒ¨. -MIGUELITOR 𝐈𝐍 π“π‡πˆπ’ π‹π„π’π’πŽπ βœ”οΈŽ Self_portraits In Street Photography βœ”οΈŽ Belonging To The Scene βœ”οΈŽ Mirrors βœ”οΈŽ Mirrors And Geometric Shapes βœ”οΈŽ Self-Portraits And Shadows βœ”οΈŽ Slow Shutter Speed in Self-POrtraits βœ”οΈŽ Dividind The Frame in Self-Portraits βœ”οΈŽJuxtaposing in Self-Portrait βœ”οΈŽ The Eye βœ”οΈŽTips


12. How to make a project with your photos

Β¨Combining photographs through diptychs, triptychs, series or stories can give us many ideas when it comes to starting our photographic project. You only need dedication, knowing what to tell and telling it as you want.Β¨. -MIGUELITOR 𝐈𝐍 π“π‡πˆπ’ π‹π„π’π’πŽπ βœ”οΈŽΒ¨ The Project βœ”οΈŽΒ¨ Diptych & Triptychs βœ”οΈŽΒ¨ Differences between Project and Serie βœ”οΈŽΒ¨When



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